{"id":295,"date":"2018-03-22T15:57:14","date_gmt":"2018-03-22T15:57:14","guid":{"rendered":"http:\/\/www.patriciaferguson.uk\/?page_id=295"},"modified":"2018-03-23T18:22:49","modified_gmt":"2018-03-23T18:22:49","slug":"inspiration","status":"publish","type":"page","link":"https:\/\/www.patriciaferguson.uk\/index.php\/inspiration\/","title":{"rendered":"Inspiration"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row gap=&#8221;1&#8243; full_height=&#8221;yes&#8221; columns_placement=&#8221;top&#8221; parallax=&#8221;content-moving&#8221; css=&#8221;.vc_custom_1521735519687{background-position: center;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;20&#8243; img_size=&#8221;150&#215;430&#8243;][vc_column_text]Fig.1 Pure Verities (2016)[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1521736834176{padding-right: 80px !important;}&#8221;][vc_column_text]<\/p>\n<h4>Inspiration and Reoccurring Questions\u2026<\/h4>\n<p>Can feelings be transformed into imagery? How to picture what the \u2018Eyes were not meant to know\u2019 as poet Emily Dickinson put it, that mysterious process whereby \u2018The Inner\u2013paints the Outer\u2013\u2019? In much of my painting, drawing and printmaking I am trying to allude to what\u2019s not visible. The title Pure Verities (2015, [fig.1]) is a reference to the English Renaissance magus John Dee and his efforts to divine \u2018the eternal truth underpinning creation\u2019, that alchemy whereby feeling is given form.<\/p>\n<p>The charred dark contours of We Are All Our Own Reliquaries (2016, [fig.2]) mark out the barest shape of a house. A reliquary is a box in which holy objects are kept safe. With this work the cherished \u2018contents\u2019 appear gilded, glowing from every surface of the form. In etched, inked and burnished scenes, a bringing together of domestic life past and present. Children who have grown and left home, beloved animals, the lone figure or apparition sitting in her favourite chair: amalgam of endearment, a record of intimate absence.<\/p>\n<p>I delight in late Gothic and early Renaissance painting, finding both the aesthetics and technical expertise wondrous. Despite being extremely stylised all too human emotions are discernable. As in Simone Martini\u2019s Annunciation (1333) where it\u2019s clear from the Virgin Mary\u2019s expression and posture that she does not relish the responsibility angel Gabriel is about to foist upon her. Also in Martini\u2019s Christ Discovered in the Temple (1342, [fig. 3]), when his mother and father confront Jesus, he stands there, arms folded, that recalcitrant teenager\u2019s face looking very familiar.<\/p>\n<div id=\"attachment_196\" class=\"wp-caption alignright\">&nbsp;<\/div>\n<p>From the sublime to the everyday, another common inspiration for me are those minute, often barely noticed moments of contact between people. In a work such as Invisible Thread (2016, [fig. 4]) the tightly framed composition engages the viewers\u2019 attention in what is obviously a significant connection: one hand reaching down to clutch at another\u2019s wrist. But the work begs the question as to what\u2019s going on beyond what can be seen. Is this an act of tenderness or one of anxious restraint?[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;21&#8243; img_size=&#8221;220&#215;220&#8243; onclick=&#8221;img_link_large&#8221;][vc_column_text]Fig.2 We are All Our Own Relinquaries (2016)[\/vc_column_text][vc_single_image image=&#8221;306&#8243; img_size=&#8221;200&#215;280&#8243; onclick=&#8221;img_link_large&#8221;][vc_column_text]Fig 3 &#8211; Simone Martini, Jesus in the Temple (1342)[\/vc_column_text][vc_single_image image=&#8221;68&#8243; img_size=&#8221;220&#215;280&#8243; onclick=&#8221;img_link_large&#8221;][vc_column_text]Fig.4 Invisible Thread (2016)[\/vc_column_text][vc_single_image image=&#8221;69&#8243; img_size=&#8221;220&#8243; onclick=&#8221;img_link_large&#8221;][vc_column_text]Fig 5 &#8211; Penumbra (2016)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row gap=&#8221;1&#8243; full_height=&#8221;yes&#8221; columns_placement=&#8221;top&#8221; parallax=&#8221;content-moving&#8221; css=&#8221;.vc_custom_1521735519687{background-position: center;background-repeat: no-repeat !important;background-size: contain !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;20&#8243; img_size=&#8221;150&#215;430&#8243;][vc_column_text]Fig.1 Pure Verities (2016)[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1521736834176{padding-right: 80px !important;}&#8221;][vc_column_text] Inspiration and Reoccurring Questions\u2026 Can feelings be transformed into imagery? How to picture what the \u2018Eyes were not meant to know\u2019 as poet Emily Dickinson put it, that mysterious process whereby \u2018The Inner\u2013paints the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"on","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"on","ocean_header_style":"minimal","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"_links":{"self":[{"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/pages\/295"}],"collection":[{"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/comments?post=295"}],"version-history":[{"count":15,"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/pages\/295\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/pages\/295\/revisions\/475"}],"wp:attachment":[{"href":"https:\/\/www.patriciaferguson.uk\/index.php\/wp-json\/wp\/v2\/media?parent=295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}